Anton Johannes Gerrit Corbijn van Willenswaard (b 1955) is a Dutch photographer, music video director and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both bands for almost three decades
Corbijn began his career as a music photographer around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance and these led to a rise in fame for Brood and in exposure for Corbijn. From the late 1970s the London based New Musical Express (NME), a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man. In the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters. His first venture in this medium was for Siouxsie Sioux. Between 1998-2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings.
Anton Corbijn’s photographs attest to the self-analysis of the portrayed and make it visible, while at the same time captivating the viewer with their appealing imagery and their seemingly abstract scenarios, in which the figures depicted allow an intimate glimpse into their personalities.